By Neelam Mittal

Representation of women in Indian cinema: From self-effacement to self-assertion

Representation of women in Indian cinema: From self-effacement to self-assertion

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Anthropocentric universe verses ontological self - effacement: Self-realization as God-Realization in Sufi paradigm

Anthropocentric universe verses ontological self - effacement: Self-realization as God-Realization in Sufi paradigm

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The gestalt of diasporic consciousness in Jhumpa Lahiri’s The Namesake and Meera Syal’s Anita and Me.

The gestalt of diasporic consciousness in Jhumpa Lahiri’s The Namesake and Meera Syal’s Anita and Me.

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The Dismantling of Rationality, Heterosexuality and Patriarchy in Virginia Woolf’s Mrs. Dalloway: Debunking the officially sanctioned normative discourses

The Dismantling of Rationality, Heterosexuality and Patriarchy in Virginia Woolf’s Mrs. Dalloway: Debunking the officially sanctioned normative discourses

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From Modern to Post-Modern: A Sociological Analysis of Genet’s The Balcony

From Modern to Post-Modern: A Sociological Analysis of Genet’s The Balcony

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